Full Metal Alchemist Follow-up: NY Times Mention

Just a quick follow-up on my December 11 posting re nostalgia for empire in "Fullmetal Alchemist": FMA got a nod from the New York Times in this Sunday's Arts section (free registration required, article available for free for a week). The Times praises FMA, "Naruto," and "Samurai Champloo" as story-driven coming-of-age tales that put American cartoons to shame.

The Alchemy of Empire

In the introduction to his recent novel The Dreamthief's Daughter, Michael Moorcock offers an explanation for the popularity of his work in Japan:

As a very early anti-monarchist and anti-imperialist I wasn't sad to see the institutions crumbling, but at the same time it is your culture that's crumbling, so it doesn't necessarily feel that good to you as an ordinary individual. It's a bittersweet thing, from my side, the end of Empire! It could also be why Elric was so phenomenally successful in Japan!

This shared experience of conflicted nostalgia for empire could also explain why the anime series "Full Metal Alchemist" uses a fantasy world heavily inflected with British colonialism to create moral ambiguity for its hero. "Alchemy" stands in for technology in this world, and helps a militaristic empire keep control of various subject cultures that include a thinly disguised muslim population. Our hero, a talented young alchemist, goes to work for the state but quickly finds himself sympathizing with its victims.

As in the best anime, there are few true villains -- just multiple competing interests and perspectives in a complex society. There's a sympathetic side even to the psycho-killers whose souls have been alchemically bound to hollow suits of armor to serve the twisted purposes of the state.

"Full Metal Alchemist" can be viewed on The Cartoon Network or on DVD.